This week we have an episode without a guest and catch up on what we’ve been up to and I give Timothy a breakdown of my preparation for my first year at AFM. We also read some iTunes reviews and hint at what we’ve got planned for next week.
Sundance Institute’s Creative Distribution team works with filmmakers to get their film seen in new and interesting ways. This episode is full of tips and advice from Liz Manashil and Jess Fuselier on finding your audience. If you have a feature film, apply for FREE to the Sundance Creative Distribution Fellowship for your chance at a $25,000 grant and a streaming deal from Amazon, Hulu or Netflix. Learn more at Sundance: http://www.sundance.org/programs/creative-distribution-initiative
Join us as we talk with Independent Filmmaker and Director of Photography Frazer Bradshaw about getting into Sundance with his first feature and what steps he had to take to get his second feature made, The Deep Sky!
No two films are alike, how will your film find it’s audience? We’re joined by Ryan Davis and Brad Wilke of Smarthouse Creative to talk about how they work with filmmakers to release their film in the world and assist in branding, promotion and publicity.
We celebrate our two-year anniversary by inviting listeners of the show to dial in and talk about what’s on their mind. This week we talk to Lindsay Serrano, Jeff Palmer and John Muth for conversations about low-budget filmmaking, film school and giving/receiving feedback.
This week we have filmmaker Rebecca Weaver on to tell us about how she made her $11k budget feature with a two person crew and went on to win “Best American Indie” at the Sonoma Film Fest and “Best Feature” at both the Lone Star and East Lansing Film Fests. Listen to this episode now or visit iTunes to download it to your device.
What do you do once your first feature is done and has distribution? Today we talk with writer/director Sean Nichols Lynch who is in pre-production on his second feature ‘Ride with Me’ and hear about the steps he is taking to get that film made. We also talk about making his fist film Prep School, how you get actors signed onto your films and script contests!
Napoleon Dynamite premiered at Sundance in 2004. It was Jared Hess’ first film and the $400,000 indie went on to gross $46.1 Million in the box office and launch Jared’s career. Since then, Jared has gone on to direct feature films, television and commercials. He is currently writing animated films for Nickelodeon and Laika. Jared has the kind of success we all dream of, but is it all it’s cracked up to be? For the first time in Making Movies is HARD! history we talk to a filmmaker that’s achieved the “filmmaker’s dream” and find out if the dream is something we should aspire to, or if it’s just a fantasy.
So you’ve got a script and all you need is the money to shoot it. Great! But where do you start? This week, producer Yumee Jang sits down to answer all our questions about where independent financing comes from including how to find and talk to investors.
Documentarian Scott Kirschenbaum joins us this week to talk about his life as a documentary filmmaker, how he goes about finding stories that will change his life and how he captured a woman giving brith in his newest film ‘Of Woman Born’.